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The lifespan of software is a curious thing. Unless a program is deemed irreplaceable by an industry (like Photoshop), most die out or are succeeded by a better—or cheaper—option a few years later. Even games, outside of retro collectors’ items or unicorn hits (Diablo II), lose steam. After the downfall of Napster, Kazaa, Limewire and the rest of the early file-sharing clients, most people assumed that single source peer-to-peer (P2P) piracy programs—the kind where you download music or other files from exactly one user—died out. But one of them, Soulseek, weathered three of file-sharing’s mass extinctions, and has quietly remained one of the best sources of obscure music.

Soulseek is the creation of Nir Arbel, a programmer who worked on the development team behind the original release of Napster, and it functions in similar ways. What started in 1999 as a means of trading techno and dance tracks grew to encompass rare and obscure music of all genres, slowly becoming an audiophile’s paradise. Vinyl rips of unknown soul groups? Cassette-only harsh noise? Rare compilations from a long-dead black metal label? It’s all there. You can also download the new Justin Bieber album, but with a glut of legal ways to listen to Purpose, it’s certainly not where Soulseek shines.

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“A lot of the music I am into is old, pre-war blues and old folk music,” Soulseek user Raul the Goat, a 28-year-old Detroit resident, told Gizmodo through the software’s chat client*. “A lot of it is out of print or extremely expensive. Music is one of the ways that culture can transmit itself, which is why I think that it should be free.” Raul has been using Soulseek for over 10 years, and is sharing over 32,000 files, including a copy of my former band’s self-released first album (An impressive feat: in two years, we never played to more than 50 people). Other users are known to share several hundred thousand files. User [InFineO[IoN], who identified himself as Matt, had over 600 gigabytes available for download, almost all of which was music.

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Preservation is one of the more common goals cited by Soulseekers. A 34-year-old Floridian machinist who uses the handle Icepick Method explained: “Once I discovered music zines in the mid-90's it opened up an entire world to me that I didn’t know existed, beyond MTV and radio music—like an audio archaeologist.”

But the depth and breadth of Soulseek’s catalog isn’t the only reason it’s hung on so long. One of its core features is its community, powered by maddeningly simple IRC-like chat windows that lack any of the modern conveniences like read receipts or embeds.

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That has allowed the emergence of a tight-knit community that shares recommendations and in-jokes, or rants about a new band’s terrible sophomore release, without intervention from any chatroom overlord. The absence of moderation is an increasingly rare phenomenon online, and Soulseek’s public chats—like the infamous +Blackmetal+ room—are a cacophonous mix of spam links, shit-talking, harassment, and, occasionally, genuine music discussion.

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Private rooms are invite-only, and are where many of the truly dedicated users spend time, cloistered away from the noise and visual deluge in the few public rooms that remain active. “I’ve met a few life long friends on Soulseek, people who traveled from all over the country to come hang out for a couple days a year,” Icepick Method wrote. “I know people who have gotten married because they met on Soulseek.”

As Tomcat Ha, a 27-year-old from the Netherlands, put it, “Soulseek in many ways is a throwback to old internet culture: more interesting, more anarchistic times when being involved with something online was still something novel and interesting things still happened regularly.”

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Soulseek’s relatively small size has also allowed it to fly under the radar while its larger brethren fell one by one. Near the height of its popularity in a 2003 interview, Mr. Arbel estimated that 100,000 users were logging in to his “largely overlooked” service at peak hours. Compare that to Kazaa’s 60 million estimated users from the same year—a number which undoubtedly grew before its well-publicized demise at the hands of the Recording Industry Association of America (RIAA). “Seeing as the system is pretty small to begin with,” Nir said in the same interview, “it’s likely we’re not even on the RIAA’s radar.” (Nir did not respond to repeated interview requests.)

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The mid 2000s also saw second generation P2Ps and early Bittorrent indexes land in the crosshairs of trade organizations like the RIAA —and the majority went belly-up. Their replacements were blogs that used file storage services like Megaupload and Rapidshare to disseminate obscure music, and Grooveshark-style unsanctioned streaming sites for more populist tastes. By 2012, Megaupload had been taken to court, Rapidshare was neutered, and niche blogs had no reliable way to share their prized collections. Between 2014 and 2015 just about every streaming service that wasn’t legally buttoned up either shut down or was acquired and revived under corporate auspices. Sexier options and a split in the core client meant Soulseek’s user base declined significantly during this time, but it wasn’t enough to fell it completely.

Soulseek isn’t the only P2P to survive these major crackdowns, but where single source P2Ps are concerned, it essentially stands alone—a living fossil. Former competitors that still receive software updates are prohibitively difficult for many users to configure, have transitioned away from their old protocols to become Bittorrent-only, or are virtual ghost towns. The closest extant audiophile community to Soulseek is What.cd, an obsessively curated invite-only torrent sharing community. The site’s usage rules—when pasted into a Google doc—span 77 pages and users are commonly banned for relatively minor infractions. For many, What.cd is the oppressive late-stage capitalism to the anarchy of Soulseek.

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Whether as a rebellion against>

As long as just enough new users (who donate money to maintain the server) replace those abandoning it, and as long as Nir continues to update the software, Soulseek will neither thrive nor die. Even if record stores have largely shuttered and Blogspot’s heyday is behind us, music obsessives will always find somewhere to call home. “That’s why SoulSeek is so precious,”[InFineO[IoN] said. “You can hear all kinds of rare and awesome music that you wouldn’t even know existed.”

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*All chat quotes heavily corrected for readbility

Saw III is a 2006 American horror film directed by Darren Lynn Bousman from a screenplay by Leigh Whannell and story by James Wan and Leigh Whannell. It is the third installment in the Saw franchise and stars Tobin Bell, Shawnee Smith, Angus Macfadyen, Bahar Soomekh, and Dina Meyer.

The story follows Jeff, a man who, after his son is killed by a drunk driver, is put through a series of tests by Jigsaw in order to try to get him to let go of his vengeance for the man that killed his son. Meanwhile, a bed-ridden John Kramer has his apprentice Amanda Young kidnap Dr. Lynn Denlon, who is tasked with keeping John alive for one final test before he dies.

Development began right after the successful opening weekend of Saw II. Filming took place in Toronto from May to June 2006. Whannell aimed to make the story more emotional than previous installments, particularly with the Amanda and Jigsaw storyline. The film is dedicated to producer Gregg Hoffman who died on December 4, 2005.

Saw III was released on October 27, 2006, and was a financial success, opening to $33.6 million and grossing $80.2 million in the United States and Canada. It is the highest-grossing film of the series in the international market with $84.6 million and the highest-grossing film in the series overall with $164.8 million worldwide. It received mixed to negative reviews from critics. Bell was nominated for 'Best Villain' at the 2007 MTV Movie Awards and the film received nominations for a Saturn Award as 'Best Horror Film'. The film was released to DVD and Blu-ray on January 23, 2007, and topped the charts selling 2.5 million units in its first week.

• 3Production
• 4Release
• 5Reception
  • 5.2Critical response

Plot[edit]

After being left in the bathroom to die, Detective Eric Matthews breaks his foot with a toilet lid to escape his shackle. Six months later, the aftermath of a Jigsaw 'game' is discovered by a SWAT team. The victim, Troy, had to rip chains from his body in order to escape from a bomb. Detective Allison Kerry arrives at the scene, and points out that the room's exit was welded shut, breaking Jigsaw's modus operandi of giving his victims a chance to survive. While reviewing the videotape, she is abducted and awakens in a harness hooked into her ribs. Even though she retrieves the key from a beaker of acid and unlocks the harness, she is unable to remove it and is killed when time runs out.

Dr. Lynn Denlon is abducted from the hospital she works at, and brought to the bedridden John Kramer. His apprentice, Amanda Young, locks a shotgun collar around Lynn's neck that is connected to John's heart rate monitor, and will detonate if John dies or Lynn moves out of range. She is instructed by Amanda to keep him alive until another victim has completed his game. The other victim, Jeff, wakes up in a box and learns that he must undergo tests, which will lead him to the man who killed his son, Dylan, in a drunk driving accident. Jeff became unstable and vengeful as a result and now neglects his daughter, Corbett.

Jeff's first test leads him into a meat freezer. He finds Danica Scott, the only witness to the accident, who refused to testify in court; she is stripped naked and chained at the wrists between two poles, which begin spraying her with ice-cold water. Jeff attempts to reach the key, which is behind frozen bars after Danica persuades Jeff to help her, but she freezes to death before he can retrieve it.

In his next test, Judge Halden, who gave Dylan's killer six months in jail, is chained at the neck to the bottom of a pit. Rotted pig corpses are dropped into a rack of circular saws, slowly filling the vat, but Halden persuades Jeff to help him. Jeff sets fire to a furnace full of Dylan's toys in order to retrieve the key, and saves Halden before he drowns.

His third test involves Timothy Young, Dylan's killer, who is strapped to a machine called 'The Rack' that will twist his limbs and neck until they break. The key is tied to the trigger of an enclosed shotgun. Jeff accidentally kills Halden when he takes the key, and is unable to stop the machine before Young's neck breaks.

Meanwhile, Lynn is forced to perform an improvised surgery to relieve pressure on John's brain with a conventional drill. Amanda grows increasingly jealous of Lynn's interaction with John, who continues to reprimand her for being rude. It is only when John suffers a seizure that Amanda is willing to cooperate with Lynn. During the surgery, John hallucinates about another woman and declares his love out loud. This upsets Amanda and when she leaves, she finds a letter which drives her to hysterics. Amanda returns with the news that Jeff has completed his tests, but refuses to remove Lynn's collar. She reveals that she no longer believes in John's philosophy, and has been creating inescapable traps. She also reveals that she fought with Detective Matthews after he escaped the bathroom, and left him for dead.

Refusing to listen to John's warnings, Amanda shoots Lynn just as Jeff arrives. Jeff, who is revealed to be Lynn's husband, retaliates by shooting Amanda with a gun provided by John after his tests. As Amanda dies, John reveals that Lynn's test was actually hers: aware of her modus operandi, and unwilling to allow a murderer to continue his legacy, John decided to test her. John then addresses Jeff, offering to call an ambulance for Lynn if he accepts one last test: he can choose to kill John or forgive him. Jeff tells John he forgives him, but slashes his throat with a power saw. The door to the room seals as John plays a final tape, which tells Jeff that he has failed his final test by killing John, the only person who knows the whereabouts of his daughter. The tape ends as John dies, and Lynn's collar detonates, killing her.

Cast[edit]

• Tobin Bell as John Kramer
• Shawnee Smith as Amanda Young
• Angus Macfadyen as Jeff Reinhart
• Bahar Soomekh as Lynn Denlon
• Dina Meyer as Detective Allison Kerry
• Mpho Koaho as Timothy Young
• Barry Flatman as Judge Halden
• Lyriq Bent as Lieutenant Daniel Rigg
• J. Larose as Troy
• Debra Lynne McCabe as Danica Scott
• Costas Mandylor as Detective Mark Hoffman
• Betsy Russell as Jill Tuck
• Stefan Georgiou as Dylan
• Niamh Wilson as Corbett
• Alan Van Sprang as Chris
• Kim Roberts as Nurse Deborah
• Leigh Whannell as Adam Stanheight
• Donnie Wahlberg as Detective Eric Matthews
• Tim Burd as Obi Gee
• Franky G as Xavier Chavez
• Oren Koules as Donnie Greco

Production[edit]

Development and writing[edit]

Darren Lynn Bousman, director and co-writer of Saw II, James Wan, director of Saw, and Leigh Whannell, screenwriter on both, turned down the offer to make a third film in the franchise. Saw II producer Gregg Hoffman died a few weeks after its release. Bousman, Wan and Whannell got together to have lunch the day they heard of Hoffman's passing and decided to make Saw III in dedication to Hoffman.^[7] Whannell aimed to make Saw III more emotional, describing the plot as essentially a father-daughter 'love story' between Jigsaw and Amanda.^[8]

Bousman said they did not intend to have a twist ending, as distinctly as the previous films, noting that 'I think most people will figure it out in the first 15 minutes of the film'. Whannell added, 'What Darren and I struck for Saw III was to have an emotionally impactful ending.' As with the previous two films, the ending was only given to the actors who appeared in the final scene at the time it was filmed. At one point the script was stolen from Bousman's chair; however, it was returned before it was leaked online.^[9]

Casting[edit]

Soomekh became close with Lionsgate after appearing in their film Crash (2004) and they wanted her in their next big film. Not a fan of horror films she found the role challenging. 'I had nightmares the first month I was on set', she said.^[10]

Filming[edit]

Saw III was given a larger budget of $10 million,^[11] compared to Saw II's $4 million.^[12]Principal photography took place for 27 days^[7] at Toronto's Cinespace Film Studios^[13] from May 8, 2006, to late June.^[14] Production borrowed the bathroom set used in Scary Movie 4, which parodied the franchise.^[8] Almost all the transitions from one place to another were not made using digital effects; the transitions were shot on the spot. For example, when the camera moves from Troy's crime scene to Kerry being in the bathtub, Meyer had to run, take off all her clothes, and jump into the tub.^[8] Visually the film is akin to the previous two with using quick cuts and fast-paced rhythms. Bousman said, 'We're using a lot of whip pans and flash frames to create a dynamic feel'. Post-production services were provided by Deluxe.^[15]

Trap designs[edit]

Bousman described the hardest scene to film was the 'Pig Scene', explaining that they had to rush and it involved filming 'so many moving parts'.^[16] The pig carcasses were made out of foam, rubber, and latex.^[9] The pig props had live, disinfected maggots attached with honey.^[17]

For 'The Rack Trap', Whannell originally conceived it as a trap that would fold a person into a box, though it eventually morphed into the twisting of body parts.^[18] Bousman wanted to have a trap that involved freezing someone to death since the films had already covered burning to death, bleeding to death, and being cut to death. A body cast was made of Debra Lynn McCabe for 'The Freezer Room' trap, but, because of safety regulations a person cannot be entombed, only a front or back body cast could be on the actress at any given time.^[19] For the 'Classroom Trap', J. Larose's character was originally going to be hanged from the ceiling by meat hooks, but it was decided against since he would not have been able to rip the chains out himself (as the script called for). It proved to be a challenge since it was done with prosthetics and practical effects.^[15][20]

Release[edit]

Saw III was released domestically and in the United Kingdom on October 27, 2006.^[21][22] It was released in Australia on November 2, 2006, and on January 4, 2007, in New Zealand.^[23] According to executive producer Daniel Heffner, the film was toned down seven times to obtain the 'R' rating. According to Bousman, the Motion Picture Association of America (MPAA) ratings board was less concerned with the film's graphic violence than it was with emotional torture, citing television shows like CSI for expanding the scope of what is acceptable.^[24] In Japan, Saw III received a R18+ rating while the previous two films received an R15+ rating.^[25] At screenings in the United Kingdom, five people were reported to have fainted at separate cinemas with three at one cinema, resulting in ambulances being called.^[26]

Saw 3 Rapidshare Downloads

Marketing[edit]

The opening scene of Troy's trap was shown at San Diego Comic-Con International on July 21, 2006.^[27] The same clip was planned to be shown before the opening of Crank in theaters on September 1, 2006. However, the MPAA would not allow it.^[28] On October 10, 2006, Bell, Smith and Bousman appeared at Spike TV's Scream Awards to promote the film and the clip of Troy's trap was shown.^[29]

Telecharger Saw 3 Rapidshare Movies Free

Lionsgate's president of theatrical marketing Tim Palen thought of the idea to make 1,000 posters with a small amount of Bell's blood, which was mixed with the printing ink. He said, 'I asked if it would be possible to use actual blood. There was silence. He said, 'We could try, but are you serious?' I said I was dead serious.' The posters were sold for $20, with the first being auctioned off; all the proceeds from the auctioned poster were donated to the Red Cross.^[30] Lionsgate also held the third annual 'Give Til It Hurts' blood drive for the Red Cross and collected 23,493 pints of blood.^[31]

Soundtrack[edit]

The soundtrack was released on October 24, 2006. James Christopher Monger of AllMusic gave the soundtrack three out of five stars.^[32] Ed Thompson of IGN Music gave it a 7.2 out of 10.^[33]

Track listing

Home media[edit]

Saw III was released to DVD and Blu-ray through Lionsgate Home Entertainment on January 23, 2007. It topped the home video charts in the United States and Canada with 1.6 million units sold its first day and finished the week with 2.5 million units sold.^[34] The 'Unrated DVD' was also released that day and features a 113-minute cut of the film that includes more gore.^[34] A 120-minute-long Director's cut was released on October 23, 2007, to coincide with the theatrical release of Saw IV on October 26. It also included an alternate ending.^[35] The director's cut was released on Blu-ray in Region B on October 7, 2008, in France only.^[36]

Deleted scenes[edit]

The original cut of the film ran for slightly over two hours, and several scenes were cut out, including a scene which depicted an extended scene of Kerry and Rigg examining Troy's trap, where Kerry reveals to Rigg she has had nightmares about Eric, and she blames herself for what happened to him.^[37] Adam had more scenes in the original cut.^[38] A scene that showed Jigsaw regretting his actions was also cut. Bell said, 'I'm glad they cut that scene. This guy knows exactly what he's doing. Does he start off with a model, then refine it? Yeah, he probably does. But there are certain things that are interesting and advance the story, and there are other things that are basically sort of backstory, and you don't really need to know'.^[39]

Reception[edit]

Box office[edit]

Saw III opened at number one on 4,700 screens at 3,167 theaters grossing $33.6 million from its opening weekend, a two percent increase from Saw II's $31.7 million. It held the biggest Halloween weekend debut for five years until it was beaten in 2011 by Puss in Boots ($34 million).^[40] It was also Lionsgate's highest-opening weekend. Lionsgate's exit polling indicated that 69 percent of the audience was under 25 years old and 51 percent was male.^[41] In its second weekend it placed number four, dropping down 56% to $14.8 million, compared to Saw II's second weekend drop of 47% to $16.9 million.^[42] The film was closed out of theaters on December 14, 2006, after 49 days of release.^[6]

Saw III opened at number five in the international market with an estimated $6 million. It opened at number one in the United Kingdom to $4.7 million. In Taiwan it placed third and opened to $320,000.^[43] For its second weekend it opened to number two with an estimated $9.7 million. In Spain it made $3.1 million, an improvement over the previous films.^[44] For its third weekend, Saw III grossed $8 million, including Japan's opening on 86 screens with $1.1 million. Australia made $4.3 million, Spain grossed $3.8 million and Brazil made $3.8 million.^[45] In its fourth weekend it placed fourth place with an estimated $5.6 million from 24 territories. Its best market was a second-place start in France.^[46]

The film took $80.2 million in the United States and Canada and $84.6 million in other territories, for a worldwide total of $164.8 million.^[6]Saw III has the highest-grossing weekend in the series, holds the records of highest-grossing in the international market and is the second highest-grossing film in the series worldwide.^[47] It is also Lionsgate's fifth highest-grossing film in the United States and Canada.^[48]

Critical response[edit]

The film was not screened in advance for critics.^[49] Review aggregator Rotten Tomatoes gives the film a score of 28% based on 90 reviews, and a rating average of 4.2/10. The site's consensus states: 'Saw III does little beyond repeating its predecessor's tropes on a gorier level.'^[50] At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 48 based on 16 reviews, indicating 'mixed or average reviews'.^[51]CinemaScore polls reported that the average grade moviegoers gave the film was a 'B' on an A+ to F scale.^[52]

Variety's Robert Koehler gave the film a mixed review. He criticized the use of several flashbacks in the film, saying that it '[..] hinder[ed] the movie, ratcheting down its tension and pace'. He explained, 'A bigger problem lies with Leigh Whannell's script, which utilizes so many flashbacks and explanatory inserts that the tension, a defining feature of the first Saw, is lost'. He did, however praise the acting.^[53] Roger Moore of the Orlando Sentinel gave it two out of five stars, criticizing the plot and acting.^[54]

The San Francisco Chronicle's Peter Hartlaub gave the film a negative review, criticizing the plot.^[55] Michael Ordoña of the Los Angeles Times said that 'More gore is really all Saw III has to offer',^[56]Owen Gleiberman of Entertainment Weekly gave the film a 'C'.^[57] Randy Cordova of The Arizona Republic gave it a negative review saying, 'Saw III is devoid of any suspense or terror'.^[49]Empire's Kim Newman gave the film two out of five stars. He said the acting was 'surprisingly good' but criticized the script and torture devices.^[58]

Accolades[edit]

Saw III was nominated for a Saturn Award for Best Horror Film, but lost to The Descent.^[59][60] It was also nominated as the 'Choice Movie: Horror/Thriller' at the Teen Choice Awards, but lost to Disturbia.^[61] Bell was nominated for a MTV Movie Award for Best Villain,^[62] but lost to Jack Nicholson for his role in The Departed.^[63]

References[edit]

1. ^'Saw III (2006)'. American Film Institute Catalog. Retrieved December 3, 2017.
2. ^Koehler, Robert (October 28, 2006). 'Saw III - Review'. Variety. Variety. Retrieved December 3, 2017.
3. ^'Saw III (18)'. British Board of Film Classification. October 11, 2006. Retrieved September 3, 2016.
4. ^ ^ab'Saw III (2006)'. British Film Institute. Retrieved December 3, 2017.
5. ^'Saw III'. The Numbers.
6. ^ ^abcde'Saw III (2006)'. Box Office Mojo. Retrieved October 29, 2006.
7. ^ ^abDouglas, Edward (October 24, 2006). 'Exclusive: Saw III's Darren Lynn Bousman'. ComingSoon.net. CraveOnline. Archived from the original on October 13, 2012. Retrieved September 12, 2011.
8. ^ ^abcTopel, Fred (October 27, 2006). 'Interview Bousman & Whannell'. Joblo.com. Archived from the original on October 23, 2012. Retrieved September 14, 2011.
9. ^ ^abDavid Hackl (production designer) (2007). The Details of Death: The Props of Saw III (DVD). Lionsgate Home Entertainment. Event occurs at 4:15–4:23. access-date= requires url= (help)
10. ^'Interview: Bahar Soomekh and Angus Macfadyen'. IGN. News Corporation. October 27, 2006. p. 1. Archived from the original on September 29, 2011. Retrieved September 14, 2011.
11. ^Alexander, Chris (June 11, 2006). 'Saw's Unkindest Cutssaw's Unkindest Cuts'. Toronto Star. Torstar.
12. ^Rooney, Brian (October 27, 2006). 'Evolution of Scary Movies'. ABC News. Archived from the original on September 17, 2013. Retrieved August 22, 2011.
13. ^Rowe, Michael (October 2006). 'SAW III: Deadlier Lessons'. Fangoria (257): 30. ISSN0164-2111.
14. ^'Lionsgate and Twisted Pictures Rip Into SAW III as Latest Film in Powerhouse Horror Franchise Starts Principal Photography in Toronto'. PR Newswire. May 6, 2006. Archived from the original on October 15, 2012. Retrieved August 19, 2011.
15. ^ ^ab'Saw III Production Notes'(PDF). Lionsgate. Archived from the original(PDF) on May 17, 2011. Retrieved September 18, 2011.
16. ^'EXCLUSIVE: Saw III's Director Darren Lynn Bousman'. MovieWeb. October 26, 2006. Archived from the original on October 1, 2012. Retrieved September 14, 2011.
17. ^David Hackl (production designer) (2007). The Details of Death: The Props of Saw III (DVD). Lionsgate Home Entertainment. Event occurs at 6:40–7:35. access-date= requires url= (help)
18. ^Leigh Whannell (writer) (2007). The Traps of Saw III (DVD). Lionsgate Home Entertainment. Event occurs at 1:27–1:51. access-date= requires url= (help)
19. ^Darren Lynn Bousman (director), Leigh Whannell (writer), Debra Lynn McCabe (actor) (2007). The Traps of Saw III (DVD). Lionsgate Home Entertainment. Event occurs at 4:50–5:40. access-date= requires url= (help)
20. ^Darren Lynn Bousman (director), Leigh Whannell play adam (2007). The Traps of Saw III (DVD). Lionsgate Home Entertainment. Event occurs at 6:23–6:59. access-date= requires url= (help)
21. ^'Saw III (2006)'. The Numbers. Nash Information Services, LLC. Retrieved December 15, 2017.
22. ^'Saw III (2006) International Box Office Results'. Box Office Mojo. Retrieved September 18, 2011.
23. ^'Saw III (2006) International Box Office Results'. Box Office Mojo. Retrieved September 18, 2011.
24. ^'Interview: Darren Bousman'. Joblo.com. June 19, 2007. Archived from the original on October 23, 2012. Retrieved September 12, 2011.
25. ^Bousman, Darren Lynn (October 11, 2006). 'SAW III: The Darren Lynn Bousman Blog Only on B-D!'. Bloody Disgusting. The Collective. Archived from the original on February 14, 2012. Retrieved September 12, 2011.
26. ^'Film fans faint at Saw III show'. BBC News. October 31, 2006. Archived from the original on April 7, 2012. Retrieved October 21, 2006.
27. ^'Comic-Con 2006: Saw III Cuts Loose'. IGN. News Corperotion. July 21, 2006. Archived from the original on February 2, 2008. Retrieved September 14, 2011.
28. ^Sciretta, Peter (October 12, 2006). 'Banned SAW 3 clip Revealed'. /Film. Archived from the original on September 13, 2011. Retrieved September 13, 2011.
29. ^Condit, Jon (September 29, 2006). 'Scream For Spike TV's Awards'. DreadCentral. CraveOnline. Archived from the original on October 21, 2012. Retrieved September 13, 2011.
30. ^McClintock, Pamela (October 9, 2006). 'Inside Move: 'Saw' gets into bloody vein for promo poster'. Variety. Reed Business Information. Archived from the original on November 9, 2012. Retrieved September 12, 2011.
31. ^'American Red Cross Partners With Lionsgate on SAW IV Blood Drive'. Red Cross. August 6, 2007. Archived from the original on November 6, 2011. Retrieved September 12, 2011.
32. ^Monger, James Christopher. 'Saw 3 Original Soundtrack'. Allmusic. Rovi Corporation. Retrieved September 13, 2011.
33. ^'An album teeming with solid cuts'. IGN. News Corporation. October 27, 2006. Archived from the original on March 20, 2012. Retrieved September 14, 2011.
34. ^ ^ab'Lionsgate and Twisted Pictures' SAW III 'Three-Peats' at Number One on DVD Charts While Also Claiming Most Successful Week One Blu-Ray Debut to Date'. CNW Group. February 1, 2007.
35. ^'Uber-Bloody 'Saw III: Director's Cut' This October, Box Set!'. Bloody Disgusting. The Collective. August 6, 2007. Archived from the original on October 10, 2011. Retrieved September 13, 2011.
36. ^'Saw 3 [Blu-ray] [Director's Cut Extreme]'. Amazon. Retrieved December 16, 2017.
37. ^Deleted Scenes (DVD). Lionsgate Home Entertainment. access-date= requires url= (help)
38. ^'IGN: Interview: Darren Lynn Bousman'. IGN. News Corporation. October 26, 2007. Archived from the original on October 1, 2011. Retrieved October 26, 2007.
39. ^Heisler, Steve (October 29, 2008). 'Tobin Bell Random Roles'. The A.V. Club. The Onion. Archived from the original on January 18, 2012. Retrieved October 17, 2010.
40. ^Porter, Rick (October 30, 2011). ''Puss in Boots' sets Halloween box-office record (for now)'. Zap2it. Archived from the original on October 31, 2011. Retrieved October 30, 2011.
41. ^Gray, Brandon (October 30, 2006). ''Saw' Sharp in Third Outing'. Box Office Mojo. Retrieved September 12, 2011.
42. ^Gray, Brandon (November 6, 2006). ''Borat' Bombards the Top Spot'. Box Office Mojo. Retrieved September 12, 2011.
43. ^Bresnan, Conor (October 30, 2006). 'Around the World Roundup: 'Prada' Still in Vogue'. Box Office Mojo. Retrieved September 13, 2011.
44. ^Bresnan, Conor (November 13, 2006). 'Around the World Roundup: 'Borat' Doesn't Budge'. Box Office Mojo. Retrieved September 13, 2011.
45. ^Bresnan, Conor (November 20, 2006). 'Around the World Roundup: 'Casino' Cashes In'. Box Office Mojo. Retrieved September 13, 2011.
46. ^Bresnan, Conor (November 27, 2006). 'Around the World Roundup: 'Royale' Flush in Second Weekend'. Box Office Mojo. Retrieved September 13, 2011.
47. ^''Saw' Vs. 'Saw''. Box Office Mojo. Retrieved August 19, 2011.
48. ^'Lionsgate All Time Box Office Results'. Box Office Mojo. Retrieved September 19, 2011.
49. ^ ^abCordova, Randy (November 3, 2006). 'Saw III'. The Arizona Republic. Gannett Company. Archived from the original on September 14, 2011. Retrieved September 13, 2011.
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External links[edit]

• Saw III on IMDb
• Saw III at Metacritic
• Saw III at Box Office Mojo
• Saw III at Rotten Tomatoes